Changes to BWI of Cleveland

Babywearers of Cleveland,

You may have already heard the latest news about Babywearing International.  Please take a moment to read a message from our local chapter President in regards to what that means for you and our local chapter:

Dear members,

By now you may have seen the communication from Babywearing International, Inc. indicating that the national organization is filing for bankruptcy under Chapter 7 and will cease to support chapters and their operations as of August 31, 2018. Our Board of Directors is in active discussion about what this means for us as an organization, and we ask that everyone be patient while we figure out what steps we need to take and put a plan in place. We have an amazing group of dedicated volunteers that will continue to answer your questions and provide education through this transitional period. All of us are committed to continuing to provide support for babywearers in our community!

In you have any questions about carriers that are currently checked out or were recently checked out, please feel free to email us at librarian@bwiofcleveland.org.

If you have a carrier due in September, we will send out options for returning it soon.

Thank you for your patience and support!

To recap:
- We are working to provide a smooth transition to continue providing support for babywearers in our community.
- Questions about carriers that are currently checked out, please email librarian@bwiofcleveland.org
- Currently meetings will remain as scheduled.  Any changes will be announced as soon as possible.

For the latest up-to-date news on as we progress through this change, please follow us on our Facebook Group


Thank you for your support and love!

BestSeatIBW2016- Morris Louis*

*This post was originally written as a Facebook post for Babywearing International of Cleveland for International Babywearing Week 2016. Some edits have been made for clarity.  

This wrap is appropriately called “Paint,” and features a rainbow of paint dripping from one rail (presumably the top) down to the other.  Natibaby, who wove this wrap, gives almost no description and only hints at the joy that the act of painting can bring.  No particular artist or inspiration is named, but I think it looks remarkably like Color Field Painting, particularly the work of Morris Louis, an American painter working in the mid-20^th century.

Louis’s work forms a link between Abstract Expressionism, particularly action painting (think of those Jackson Pollock drip paintings, in which we as viewers can see how each layer of paint is applied to the canvas, and imagine the motions the artists made while doing so), and Minimalism, which would take hold in the 1960’s.  Louis’s painting, Where, from 1960 (at the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, 66.3112) reminds me of the stripes of dripping paint on the wrap, the fluid way in which the medium- the paint- takes center stage.  Much of Louis’s work atthis time features more deliberate and obvious dripping, but the organization here, the primacy of the bands of color, connects it to the woven wrap in design.

Louis’s technique, pouring thinned paint directly onto the canvas while the canvas is spread flat on the floor of his studio, is one he learned from Helen Frankenthaler, the painter who pioneered Color Field Painting.  Artists working in this style reject any emotional, religious, or personal meaning, instead celebrating color itself, allowing viewers to make up their own minds.  Natibaby, it seems, allows us to do the same, by celebrating the paint itself!

BestSeatIBW2016- Piet Mondrian*

*This post was originally written as a Facebook post for Babywearing International of Cleveland for International Babywearing Week 2016. Some edits have been made for clarity. 

This ring sling (on its way to becoming an onbuhimo by now!) was cut from a longer wrap (I split it with another art historian and educator!). The wrap is based on the paintings of Piet Mondrian, a Dutch-American artist working in a style called “De Stijl” (meaning “the style”) in the mid-20th century. Though he began his career painting landscapes in his native Netherlands, Mondrian came to reject the object entirely in favor of abstract compositions featuring only red, yellow, and blue with black and white. I’ve paired the wrap here with an example of this part of his body of work: Composition in Red, Blue, and Yellow from 1937- 42 (Museum of Modern Art, New York City, 638.1967). In part, this turn toward abstraction was an optimistic expression of his belief in the birth of a new, machine- and technology-fueled age after WWI; the rigid, perpendicular lines and simple color schemes are meant to suggest structure and the geometric elements that create a perfect, orderly world.

More than just a suggestion of machinery, the compositions reflect Mondrian’s fascination with New York City in particular, where he fled at the outbreak of WWII. The straight vertical and horizontal lines look like scaffolding, or the steel skeletons of skyscrapers, rising on Manhattan. But if the picture plane is imagined on the floor in front of us, the black lines suggest the city's grid, the movement of traffic, and the colors become blinking electric lights.

Mondrian was also interested in American jazz music, particularly boogie-woogie; the rhythms of squares and rectangles also created a syncopated beat that visually represents jazz’s irreverent approach to melody and improvisational aesthetic. The colors appear random and spontaneous, but are still grounded by the structure provided by the white background and black bands.

San Francisco Museum of Modern Art has produced a quick video detailing Mondrian’s fascination with jazz and dance here.

BestSeatIBW2016- Vincent van Gogh*

*This post was originally written as a Facebook post for Babywearing International of Cleveland for International Babywearing Week 2016. Some edits have been made for clarity.

The last few posts from IBW 2016 (#bestseatIBW2016) feature contemporary carriers inspired by famous artists and works of art! Each carrier featured is a different type, though all are a wrap or wrap conversions.

First, check out this onbuhimo inspired buckle carrier belonging to ABE Sarah C. Miller-Fellows​! The design of the wrap from which it was converted is a painting familiar to many: Vincent van Gogh’s The Starry Night from 1889, which is owned by the Museum of Modern Art in New York City (472.1941). Vincent van Gogh is known for exuberant compositions and rough, excited brushwork, coupled with vibrant colors. Indebted to the Impressionists for their techniques, but not loyal to their sense of the fleeting moment, Vincent painted works from his memory, imagination, and dreams. The Starry Night here includes the cypress trees- often a symbol of mourning- seen from his residence in the south of France. The town nestled into the hillside with its prominent church tower is more reminiscent of the Dutch landscape where he grew up. The church spire is important for two reasons: it reflects Vincent’s faith and his original ambitions to serve as a pastor (dashed when a catastrophic mining accident befell his parish), and it echoes the surge of the cypress, creating a ripple of energy across the canvas. This energy is matched and carried on by the swirling brushstrokes that fill the sky, frequently attributed to Vincent’s often agitated emotional and mental state.

The carrier here is an onbuhimo inspired buckle carrier; an onbuhimo is a traditional carrier from Japan, designed to be worn without a waistband. It typically has looped straps that connect at either side to a long panel. These go over the wearer’s shoulders and the panel forms a seat when the straps are tightened. Traditionally made with a ring finish, there are now onbuhimo inspired carriers on the market with buckles, too (like this one). Best for a larger baby or toddler, they are loved for being quick and comfortable! What strikes me here is that Vincent would probably have loved seeing his work on a Japanese style carrier (if he knew what it was!). He was a lover of Japanese art, particularly the style of print featured earlier, ukiyo-e, and collected and copied many of them throughout his career.

BestSeatIBW2016- Dogon Couple*

*This post was originally written as a Facebook post for Babywearing International of Cleveland for International Babywearing Week 2016. Some edits have been made for clarity.

Just kidding!  My files were out of order and I almost missed one of my favorite objects.  The image above is two sides of the same sculpture (1977.394.15), found in the Metropolitan Museum of Art in New York City.  This type of sculpture is often called a “primordial couple,” and was probably made for display at a funeral. Much funerary art across cultures features themes of rebirth and new life, emphasizing the cyclical nature of life.

 

Created by the Dogon people of Mali around the turn of the 19th century, it consist of simple forms- cylindrical arms, legs, and torsos that recall the shape of the wood from which it was carved, linear patterns for facial features and scarification- yet recalls an important aspect of Dogon attitudes toward marriage, that is it a partnership of independent equals. Note that they are similar in size and complementary in pose (check out her labret piercing to match his beard, her hands on her knees to match his over his lap, etc.). This is a technique meant to imply unity in purpose and equality of importance.

 

For our purposes, the quiver on the man’s back that would have contained arrows (signifying his role as provider and protector) is paired with a worn baby on the woman’s back (signifying her role as child bearer and nurturer)! Because some of the iron adornments are missing or compromised, I suspect the same fate befell the fabric that would have kept her baby close in a low torso carry. Fabric is one of the most fragile materials used in works of art, and it is difficult to preserve. Side note: if you’d like to check out a fabric for this kind of carry, our Twinsburg lending library has a kanga and several educators who can help you learn to use it safely!

 

Other details of the sculpture reinforce themes of family and ancestry: the enlarged navels are a reminder of where the couple themselves originated, and the small figures carved into the legs of their seat are likely images of ancestors, who literally and figuratively support the couple.