*This post was originally written as a Facebook post for
Babywearing International of Cleveland for International Babywearing Week
2016. Some edits have been made for
clarity.
Art historian checking in with a carrier that functions like
a work of art! The decoration on this ba, by the Dayak people from Borneo,
serves to beautify AND protect the baby carried within! This one comes from the
Museum of Fine Arts in Boston (2014.839), and features a protective symbol on
the back panel. I admit this is outside
the scope of my study, so I've quoted some background information on these
carriers from an expert below:
“Dayak baby carriers, called ba, resemble small chairs
without legs, supported on the mother’s shoulders from straps, like a backpack.
The seat is made of a semi-circular plank to which the woven basketry back is
attached. This wood and rattan basket is usually lined and covered with hand
loomed cloth and finished with a beaded panel at the back depicting powerful
protective symbols and further embellished with tassels, bells, teeth, claws,
or cowry shells and strings of large beads.
The Dayak beaded baby carrier or ba was created for two
reasons – to display the prestige and wealth of the family, and to protect the
baby when it left the safety of the communal longhouse and compound. They were
used only when mother and baby were away from home.
The source of the protection offered by the baby carrier was
primarily the beaded panel called the aban, which faced outwards from the rear
of the ba. The Dayak are animists and their world is populated by powerful
spirits, many of which are dangerous to humans. The designs of most women’s art
are defensive, designed to erect barriers between their families and the
malignant spirits and this is a particularly important role of baby carriers,
which guard the baby from the rear.”
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